Ludovica Villar-Hauser
Director
Ludovica Villar-Hauser, Theatre Director/Dramaturg Founder of Works by Women. Serves on the Board of The League of Professional Theatre Women Member of SDC and Equity (UK) Eligible to work in the USA, UK and EU.
Highlights include: Eugene O’Neill’s Long Day’s Journey into Night in London’s West End; 3 productions at The Edinburgh Fringe Festival; the premiere of Gregory Murphy's The Countess, which ran Off-Broadway for 634 performances and in the West End; Rona Munro's Bold Girls at the 29th St. Rep.; the NYC premiere of Duet by Otho Eskin, a new play about Sarah Bernhardt and Eleonora Duse; the North American premiere of Leaves of Glass by Philip Ridley and as part of Origin’s First Irish Festival, Derek Murphy's A Short Wake; As It Is In Heaven by Arlene Hutton, produced by 3 Graces Theater Co. at The Cherry Lane Theatre; for The American Academy of Dramatic Arts, Enchanted April by Matthew Barber from the novel by Elizabeth von Arnim (2010 Company), The Heidi Chronicles by Wendy Wasserstein (2012 Company) and Doubt by John Patrick Shanley (2013 Company); A Dozen Perfect Moments, The Brightness of Heaven and Living Arrangements by Laura Pedersen; the Off-Broadway production of Final Analysis by Otho Eskin at the Alice Griffin Jewel Box theatre at the Pershing Square Signature Center.
Highlights include: Eugene O’Neill’s Long Day’s Journey into Night in London’s West End; 3 productions at The Edinburgh Fringe Festival; the premiere of Gregory Murphy's The Countess, which ran Off-Broadway for 634 performances and in the West End; Rona Munro's Bold Girls at the 29th St. Rep.; the NYC premiere of Duet by Otho Eskin, a new play about Sarah Bernhardt and Eleonora Duse; the North American premiere of Leaves of Glass by Philip Ridley and as part of Origin’s First Irish Festival, Derek Murphy's A Short Wake; As It Is In Heaven by Arlene Hutton, produced by 3 Graces Theater Co. at The Cherry Lane Theatre; for The American Academy of Dramatic Arts, Enchanted April by Matthew Barber from the novel by Elizabeth von Arnim (2010 Company), The Heidi Chronicles by Wendy Wasserstein (2012 Company) and Doubt by John Patrick Shanley (2013 Company); A Dozen Perfect Moments, The Brightness of Heaven and Living Arrangements by Laura Pedersen; the Off-Broadway production of Final Analysis by Otho Eskin at the Alice Griffin Jewel Box theatre at the Pershing Square Signature Center.
DeVida Jenkins
Producer
DeVida began her career as a technician and lighting designer, working on numerous shows in Summer Stock, Community, and Regional Theatre. From 1997 until 2009, she was the General Manager of the Merriam Theater in Philadelphia, where she introduced new audiences to theatre with an eclectic booking policy. She also created many educational programs, including Broadway on Broad and the Student Critics Program. DeVida has served on the board of the League of Professional Theatre Women, and she currently serves on the boards of String Theory Schools and the Philadelphia County Master Gardeners. FINAL ANALYSIS is her second production credit. In 2010, she co-produced the LPTW New Play Festival.
VH Theatrical Development Foundation, Inc.
Producer
The VHTD Fund, Inc. is a 501-C3 committed to new writing of merit for an intelligent audience not averse to words or serious subject matters. It aims to offer an opportunity for development to those creative artists and other theatrical support artisans and staff, specifically women of all ages, who are interested in live theatre, and to develop and perform such new works while stimulating public interest in quality theatre and providing cultural education.
Otho Eskin
Playwright
Otho Eskin’s plays include Act of God, Murder As A Fine Art, Season In Hell, Julie, and Duet. Duet has been performed in Washington, DC; New York, and several regional theaters in the US as well as Italy, Australia, Croatia, Slovenia, Russia, and Latvia. Otho Eskin served in the United States Foreign Service in Syria, Yugoslavia, Iceland, and Berlin. He was vice-chairman of the US delegation to the UN Conference on the Law of the Sea and was US representative to the UN Committee on the Peaceful Uses of Outer Space.
Judith Binus
Assistant Director
JUDITH BINUS (Assistant Director) Director: Numb is a Freezing Point, Red Emma (Readings), Assistant Director: On the Home Front, Living Arrangements, The Brightness of Heaven, Final Analysis, A Dozen Perfect Moments. Stage Manager: Broadway: A Doll's House, An Inspector Calls, Children of a Lesser God, A Broadway Musical, Hello, Dolly. National Companies: Deathtrap, City of Angels, Annie. Opera: Dallas Civic Opera. Dance: Joffrey Ballet, Joffrey II Ballet. Lighting Designer: The Trojan Women, The Lower Depths, Joffrey II Ballet. Assistant Lighting Designer to Thomas R. Skelton, Ken Billington, John Gleason and Gil Wechsler. Thank you, Ludovica.
Lee Savage
Set Designer
Lee Savage is a Brooklyn based scenic designer. His New York City credits include: Rx (Primary Stages); All-American(LCT3); The Dream of the Burning Boy and Ordinary Days (Roundabout Underground); Thinner Than Water(LABrynth); Oohrah! (Atlantic Theater); The Bereaved (Partial Comfort); punkplay (Clubbed Thumb); and End Days (EST).
Lee has also designed at regional theaters including: The Alliance Theater, Asolo Rep, Baltimore Centerstage, Berkshire Theatre Festival, Chautauqua Theater Company, Cleveland Playhouse, Dallas Theater Center, Dorset Playhouse, Ford’s Theatre, Long Wharf, Lyric Theatre of Oklahoma, The Old Globe, Philadelphia Theatre Company, Pittsburgh Public Theatre, The REP/PTTP, Shakespeare Theatre Company, Trinity Rep, Two River Theater, Westport Country Playhouse, Wilma, and Yale Rep.
Lee received the CT Critics Circle Award for his design of The Intelligent Design of Jenny Chow at Yale Rep as well as award nominations for the CT Critics Circle (Shipwrecked!, Long Wharf); Helen Hayes (Richard III, Shakespeare Theatre Company) and the Suzi Bass Award (Smart Cookie, The Alliance Theater).
Lee is a founding member of Wingspace Theatrical Design, received his B.F.A. from Rhode Island School of Design and his M.F.A. from the Yale School of Drama.
Lee has also designed at regional theaters including: The Alliance Theater, Asolo Rep, Baltimore Centerstage, Berkshire Theatre Festival, Chautauqua Theater Company, Cleveland Playhouse, Dallas Theater Center, Dorset Playhouse, Ford’s Theatre, Long Wharf, Lyric Theatre of Oklahoma, The Old Globe, Philadelphia Theatre Company, Pittsburgh Public Theatre, The REP/PTTP, Shakespeare Theatre Company, Trinity Rep, Two River Theater, Westport Country Playhouse, Wilma, and Yale Rep.
Lee received the CT Critics Circle Award for his design of The Intelligent Design of Jenny Chow at Yale Rep as well as award nominations for the CT Critics Circle (Shipwrecked!, Long Wharf); Helen Hayes (Richard III, Shakespeare Theatre Company) and the Suzi Bass Award (Smart Cookie, The Alliance Theater).
Lee is a founding member of Wingspace Theatrical Design, received his B.F.A. from Rhode Island School of Design and his M.F.A. from the Yale School of Drama.
Joyce Liao
Lighting Designer
JOYCE LIAO (Lighting Designer) Broadway: Marquis Theatre, where her work helped Soul of Shaolin to a 2009 Tony nomination in the category of Special Theatrical Event. Other New York credits include: Baruch Performing Arts Center, Cherry Lane Theatre, Henry Street Playhouse and Here Arts Center, Puerto Rican Traveling Theatre. Regional: The Studio Theatre (DC), Le Petit Theatre (New Orleans), Jefferson Performing Arts Society (LA). Recent lighting design: Polanski Polanski and 7 Sins in 60 Minutes, Here Arts Center; Songs Of The Dragons Flying to Heaven, The Studio Theatre; Tosca, Amore Opera, Connelly Theatre. Joyce recently assisted Jennifer Tipton on The Glass Menagerie, first at New Haven's Longwharf Theater and again at the Laura Pels Theatre, when Roundabout brought this production to NYC. She also designed NPTC’s workshop of Hamlet and this year’s Women’s Work Short Play Festival. She is the winner of the Peggy Ezekiel Award for Outstanding Achievement in Lighting Design for Caucasian Chalk Circle. MFA: Ohio University Theater School.
Alexander Freer
Lighting Assistant
Alexander Freer is a New York City based Lighting Designer. Recent design credits include Keeping a
Breast, The Cripple of Inishmaan, and Necessary Targets. He recently opened A (radically condensed and
expanded) SUPPOSEDLY FUN THING I’ll NEVER DO AGAIN at the Emerson Arts Festival in Boston as the Associate Lighting Designer. Alexander Freer is a graduate of Stephens College in Columbia, MO. There he earned his BFA in technical theater with an emphasis in lighting design.
Breast, The Cripple of Inishmaan, and Necessary Targets. He recently opened A (radically condensed and
expanded) SUPPOSEDLY FUN THING I’ll NEVER DO AGAIN at the Emerson Arts Festival in Boston as the Associate Lighting Designer. Alexander Freer is a graduate of Stephens College in Columbia, MO. There he earned his BFA in technical theater with an emphasis in lighting design.
Jenny Green
Costume Designer
Jenny trained at the American Academy of Dramatic Arts, under the expert direction of Steven Daniel. She assisted in costume design and wardrobe supervision on hundreds of
productions. As Producing Artist at Manhattan Theatre Source she was Costume Designer for The Crucible, Billy Carver & the Children in Mind, Cathedral and A Short Wake (for the
First Irish Festival). She also supervised wardrobe for numerous other Source productions including JuniorGenius, TestoGenius and OscarPalooza, and worked as Dresser for American Thymele Theatre's Rhesus. She provided Costume Design for forthcoming documentary Casting By and music video Cinderella Falling for Margaret Bernstein. Thanks to Ludovica, Steven and Final Analysis.
productions. As Producing Artist at Manhattan Theatre Source she was Costume Designer for The Crucible, Billy Carver & the Children in Mind, Cathedral and A Short Wake (for the
First Irish Festival). She also supervised wardrobe for numerous other Source productions including JuniorGenius, TestoGenius and OscarPalooza, and worked as Dresser for American Thymele Theatre's Rhesus. She provided Costume Design for forthcoming documentary Casting By and music video Cinderella Falling for Margaret Bernstein. Thanks to Ludovica, Steven and Final Analysis.
Jill BC DuBoff
Co-Sound Designer
Jill BC DuBoff is a sound designer for theatre, radio, television, film and special events. She has been working in audio since 1994, and she has had the opportunity to work on and off-Broadway, for National Public Radio, on various popular television shows, and independent films. Throughout her career, her work has taken her all over America and has been heard all over the world, but she calls New York home. Since 2009 she has been the Sound Design professor at Sarah Lawrence College. She is always looking for new and creative challenges in her work.
Emily Auciello
Co-Sound Designer
Select New York: A Disappearance In Two Parts (HERE), A Kid Like Jake (asst. design, LCT3), Collapse (asst. design, Women's Project), Finks (assoc. design, Ensemble Studio Theatre), The Lying Lesson (asst. design, Atlantic Theater), Dance and the Railroad (asst. design, Signature Theatre, Wuzhen Theatre Festival), The Jammer (assoc. design, Atlantic Theater), We Won't Pay! We Won't Pay! (Drilling Company), DESIRE! (Less Than Rent, Under St. Marks), TEN (Partial Comfort Productions, Wild Project), Independents (NYFringe) Select Regional: Playback: 2.5 Minute Ride (Two River Theatre), The Odd Couple (asst. design, Dallas Theatre Center), The North Pool (assoc. design, Barrington Stage Company), Macbeth (Allentown Shakespeare in the Park). Emily is a proud member of Less Than Rent. Love to Alex.
Annie Berman
Projection/Video Designer
Annie Berman is a media artist living and working in Brooklyn. Her work has screened in theaters, galleries, festivals, and universities. She is the recipient of a Puffin Foundation grant, a Somerville Arts Council fellowship, a Leonard Bernstein Festival of the Arts grant, a UnionDocs Collabrative residency, and a Kopkind/CID summer residency. In addition to making work, Annie has also taught workshops in cinematography, editing, animation, and social media. She is the founder of Fish in the Hand Productions, and a MFA candidate at Hunter College.
Erin Remick
Projections Assistant
Erin Remick is a multimedia artist and educator living in Brooklyn, NY. Her practice ranges from filmmaking, motion graphics and animation to installation and interactive web design. Erin's work has been presented at festivals, conferences, and universities. She has worked for youth empowerment organizations and within CUNY as a teacher of video production, media justice, animation, and graphic arts. Erin is an MFA candidate of Integrated Media Arts at Hunter College.
Andrea Andresakis
Movement
Andrea Andresakis (Choreographer): Is thrilled to be choreographing Final Analysis after having choreographed the production at MITF. Selected New York directing and/or choreography credits: Spandex, a new musical for all sizes (Off-Broadway); Little Shop of Horrors (BHT); The Little Prince (Merkin Concert Hall); Wait Until Dark (ACC Theatre); Lee Blessing’s Down the Road; Ray Bradbury’s Fahrenheit 451; Neil Simon’s Star Spangled Girl (Playwrights Horizons). She was the Associate Artistic Director of the American Playwrights’ Theatre where she also directed several plays. Tours/Regional: The Marvelous Wonderettes (East Coast premiere); Crimes of the Heart (Chenengo River); Evita (JHU, Baltimore); Fame (Barrington Stage Company). Ms. Andresakis will be directing My Purple Wig, right next door at the Lion Theatre in November. www.Andresakis.com
Jeanne Travis
Stage Manager
Jeanne E. Travis * is a stage manager and sound designer based in New York City. Recent Stage Management: Spectral Scriabin: Presented by the Lincoln Center with lighting designer Jennifer Tipton and pianist Eteri Andjaparidze, Methtacular! (KEF Productions), Whaleship Essex (The Players Club), As You Like It (The Queen’s Company) and Dear Darkness. Recent sound designs include Off-Broadway: Rantoul and Die (The Amoralists), The Runner Stumbles (Retro Productions) Off-Off: BEARS (Sans A Productions), Advance Man, Blast Radius, Sovereign, Frankenstein Upstairs (Gideon Productions), Living Arrangements (VHTDF), Agamemnon:REDUX (The Lab) http://jeannetravis.tumblr.com
Sophie Quist
Assistant Stage Manager
Sophie Quist (Assistant Stage Manager) Broadway: First Date, The Heiress (with Jessica Chastain, Dan Stevens and David Strathairn). Off-Broadway: Passion (with Director John Doyle) Regional: Thoroughly Modern Millie (The Paper Mill Playhouse) Sophie is a Eugene O’Neill Theater Center and Point Park University Alum. Thanks to Ludovica, Judy and Jeanne! Love to my parents and Joshua for their continual love and support!
Lisa Dozier King
General Manager
Lisa has managed fifty theatrical productions and hundreds of special events in New York City. Current/Recent Off Broadway includes: Sistas the Musical, F#%king up Everything, Ten Chimneys, Bronte: A Portrait of Charlotte. At the University of Miami, Lisa teaches the BFA Theatre Management Program and is the General Manager for the Ring Theatre. She is also the General Manager for the National Alliance for Musical Theatre's Festival of New Musicals. Love to GK and MK.
Andy Yanni
Properties Designer
Andy Yanni is an alum of the Department of Drama at NYU Tisch with a BFA in Drama focusing on Scenic Design, Production Management and Technical Direction. He also holds a minor in Applied Theatre from Drama and Educational Theatre from Steinhardt. Outside of Tisch, Andy works as a freelance scenic designer and technical director in NYC while also serving as the Artistic Director for the NYC-centered arts organization, The In-Between People. Andy has a deep love for the intersection of the arts, space and audience and can often be found redesigning spaces to his liking and then deciding how he would like to negotiate them. Andy also works as a finish carpenter, enjoys interior design, and loves photography.
Roberto Ragone
Development
Roberto Ragone has twenty-five years of experience in government, politics, and non-profits, having work for the State Senate, the Mayor’s Office, and the City Council, where he organized hearings on the economic impact of the arts and cultural tourism.
Roberto served as marketing director for the Ciao America Film Project and led an online fundraising campaign for the publication of a historical novel, "Trinacria: A Tale of Bourbon Sicily," promoting options to adapt the novel into a play or film. He was Associate Producer for a one-woman play, "A Brooklyn Love Story" and a former member of the 68 Cent Theatre Group, and has performed in showcases for Arthur Reel Studio.
Roberto is a consultant for One Percent for Culture, a New York City, five-borough non partisan campaign whose mission is to demonstrate the value of the arts and culture sector. He also served on the board of the Drama Committee Repertory Theatre.
Roberto served as marketing director for the Ciao America Film Project and led an online fundraising campaign for the publication of a historical novel, "Trinacria: A Tale of Bourbon Sicily," promoting options to adapt the novel into a play or film. He was Associate Producer for a one-woman play, "A Brooklyn Love Story" and a former member of the 68 Cent Theatre Group, and has performed in showcases for Arthur Reel Studio.
Roberto is a consultant for One Percent for Culture, a New York City, five-borough non partisan campaign whose mission is to demonstrate the value of the arts and culture sector. He also served on the board of the Drama Committee Repertory Theatre.
Felica Kobylanski
Development
Felica is from Detroit and graduated the University of Michigan with a B.A. in Media and the Arts. After moving to New York City, she began a successful 30 year career in not-for-profit fundraising at cultural and educational institutions including UJA-Federation of New York, American Friends of The Hebrew University (of Jerusalem) and the Museum of Jewish Heritage in Lower Manhattan. Now a Consultant, Felica serves as the Director of Development for the New York Psychoanalytic Society & Institute www.nypsi.org and works on other projects in the Arts. She is especially delighted to be part of the Final Analysis team.
Cecily West
Branding Consultant
Cecily West is a Senior Marketing and Branding Strategist with over twenty-five years of experience. For the past eight years, she has been working in the not-for-profit and mission-based for-profit sectors, to address social issues. From 1998 to 2005, Cecily helped build premier brands such as Lipton at McCann Erickson, one of the top global advertising agencies. Before joining McCann, she worked at 1-800-flowers.com where she launched Pink Ribbon Bouquet, one of the first cause-related marketing programs; it has raised over $1,000,000 for research on women’s cancers. Cecily is a long-time New Yorker with a great love for the theater.
Sam Mattingly
Press Representative
Sam Mattingly (Public Relations)
Sam is an accomplished communications/public relations professional with more than 25 years of agency and corporate experience, who easily transitioned from entertainment publicity to corporate communications. She is founder of SM Communications (SMC), an independent, full service public relations agency.
She began her public relations career with Paramount Pictures and later became a celebrity publicist with Rogers & Cowan. She has managed public relations campaigns for numerous films (Blue Velvet, Crimes of the Heart, Do the Right Thing, Praying with Anger, New Jack City, Daughter’s of the Dust, A Dry White Season). She has handled public relations for a long and impressive list of A-list celebrities, musicians, television and theatre stars. She has worked as a senior communications officer for well-known national and international corporate brands including MasterCard Worldwide and L’Oréal USA. She has demonstrated her skills in developing strategic communications plans that were instrumental is positioning brands as category leaders and had an impact on market share and consumer loyalty. Was responsible for creating important initiatives including 1-800-Flowers Pink Ribbon Bouquet Program and the L’Oréal USA For Women in Science Program. More recently she has been the press representative on a number of Off- productions (Terms of Dismemberment, Sistas: The Musical, A Letter to Harvey Milk, Arnie the Doughnut, Bronte: A Portrait of Charlotte, Hinton Battle’s Love Lies).
Sam is an accomplished communications/public relations professional with more than 25 years of agency and corporate experience, who easily transitioned from entertainment publicity to corporate communications. She is founder of SM Communications (SMC), an independent, full service public relations agency.
She began her public relations career with Paramount Pictures and later became a celebrity publicist with Rogers & Cowan. She has managed public relations campaigns for numerous films (Blue Velvet, Crimes of the Heart, Do the Right Thing, Praying with Anger, New Jack City, Daughter’s of the Dust, A Dry White Season). She has handled public relations for a long and impressive list of A-list celebrities, musicians, television and theatre stars. She has worked as a senior communications officer for well-known national and international corporate brands including MasterCard Worldwide and L’Oréal USA. She has demonstrated her skills in developing strategic communications plans that were instrumental is positioning brands as category leaders and had an impact on market share and consumer loyalty. Was responsible for creating important initiatives including 1-800-Flowers Pink Ribbon Bouquet Program and the L’Oréal USA For Women in Science Program. More recently she has been the press representative on a number of Off- productions (Terms of Dismemberment, Sistas: The Musical, A Letter to Harvey Milk, Arnie the Doughnut, Bronte: A Portrait of Charlotte, Hinton Battle’s Love Lies).
Aral Buka
Graphic Designer
Aral Buka (Artist/Webmaster) has trained as a fine artist and commercial artist. He worked at various ad agencies in Boston before freelance work. Recently he has done work for Paul Lucas Productions and other producers and writers. He met John Chatterton in the 1970s in Boston at a regular poker game when John was selling typographic services and Aral was a freelance commercial artist. He has since learned the intricacies of working on the World Wide Web. in addition, he is available to produce brochures, postcards, and other work for theatrical productions. Contact: aralbuk2@gmail.com
Maxine Kern
Dramaturg
Maxine Kern is a freelance dramaturg who is the Resident Dramaturg for Diversecity Theater (DCT) &The Negro Ensemble Theater Company (NEC). Her dramaturgy most recently includes Playing with Fire, by August Strindberg adapted by Leslie Lee, at The August Strindberg Repertory Theatre and The Negro EnsembleTheatre Company, The Human Rights for Women of Color Festival at Women of Color on Stage and Film Theatre Company, As it is in Heaven by Arlene Hutton at 3 Graces Theatre, Savannah Black and Blue by Raymond Jones at The Negro Ensemble Theater Company, The Book of Lambert by Leslie Lee at La MaMa Theatre, For the Time Being by W.H. Auden, Affinity Theatre, at CSC & Symphony Space, and The Pearl Festival & FourPlays: The Equality Theater Playwright’s Festival DiverseCity Theatre at Theatre Row, Harold Clurman Theatre. She has also been a literary manager/dramaturg at various theaters such as New Georges, George St Playhouse, Company One Theater and part of the artistic staff of The McCarter Theater, The New York Shakespeare Public Theater and New Dramatists, Inc.
Teresa J. Lotz
Producing Associate
Teresa Lotz ( http://www.teresalotz.com/ ) is a second year graduate student at the New York University Tisch School of the Art's Musical Theatre Writing Program. Three of her works have been produced, including most recently, Anonymous, Grounded, an original one-act musical (written with composer-lyricist, Ryan Korell), Demoted: A Faerie Tale, and That's What She Said: the musical. Two works in progress have received professional readings, and she is currently
collaborating with composer-lyricist, Jesse Goldman, on a musical to receive its first professional reading April 2013. Teresa has experience as a music director for regional theaters in Baltimore, Maryland and Toledo, Ohio. She composed a film score for Derrick Jones's The Shadow of Lucasville and several Awkward Trio films, including a recent entry in the Baltimore 48 hour film festival. Teresa is thrilled to be working with Ludovica Villar-Hauser on Final Analysis.
collaborating with composer-lyricist, Jesse Goldman, on a musical to receive its first professional reading April 2013. Teresa has experience as a music director for regional theaters in Baltimore, Maryland and Toledo, Ohio. She composed a film score for Derrick Jones's The Shadow of Lucasville and several Awkward Trio films, including a recent entry in the Baltimore 48 hour film festival. Teresa is thrilled to be working with Ludovica Villar-Hauser on Final Analysis.
Kacey Stamats
Production Assistant
Kacey Stamats (Stage Manager/Photographer) is a multidisciplinary artist with work branching in theatre, photography and film. She first fell in love with the stage as a child playing Jacques Cousteau in a confabulation based on The Minotaur. Recent credits include; Stage Manager for Painted Desert in the Samuel French Off-Off Broadway Short Play Festival, cinematographer for And in Her it Danced: An Inheritance, and The Half Life Secure, and Director, The Consequences of Happiness, 2011 D.C. Black Theatre Festival. In 2010 she directed Next Year in Jerusalem, a site-specific anti-romantic comedy, through Rogue Theatre with cofounder Deborah Yarchun.
www.kaceyanisa.com
www.kaceyanisa.com
Jacqueline Wolozin
Marketing and Development Assistant/Graphic Designer
Jacqueline Wolozin studied technical theatre at SUNY New Paltz, and is a multidisciplinary theatre artisan whose skills range from theatrical design, to performance and visual arts including graphic design. A cheesy, pun-tastic person might describe her as a "Jackie of all trades". Recent credits include Assistant Stage Manager and Spot op for Pretencion, Assistant Stage Manager for Living Arrangements, and Image design for Final Analysis. Jacqueline is a member of Rhinestone Gorilla Burlesque, and performs burlesque in New York City.
Laysha Duran
Production Assistant
Laysha Duran graduated with a Bachelors in English Language and Arts from Pace University. Her dream is to be an actress on Broadway. Aside from acting, Laysha is a writer and a dancer (hip hop) and enjoys mixing all three of her passions. She has been working on a few community plays around the city, including the lead role in The Wedding. Laysha would like to thank Ludovica Villar-Hauser for the opportunity to work on Final Analysis.
Montgomery Mauro
Run Crew
Montgomery Mauro is a recent graduate of The College of Charleston. His credits include the 2013 Production Manager of Piccolo Spoleto's Stelle di Domani series UNDER THE LIGHTS in Charleston, SC. He was last seen as Sir Peter Teazle in the college production of Richard Brinsley Sheridan's THE SCHOOL FOR SCANDAL. He hopes to pursue a career in theatre.
Red Rising NYC
Marketing
Red Rising Marketing strives to build a collaborative partnership with each client. With an astute multi-disciplinary approach, we custom craft marketing initiatives that drive brand awareness and audience attendance. In the realm of Broadway, Off-Broadway, Television, Film, Special Events and Consumer Products, we develop unique strategies that not only meet the goals of our clients, but also set standards for the industry.
Wiley Saichek
Social media
Wiley Saichek is a New York-based publicist who specializes in the online promotion of books, authors and plays. Wiley previously worked with Ludovica and DeVida to promote the productions of Laura Pedersen's Living Arrangements, The Brightness of Heaven and A Dozen Perfect Moments.
Anne Staszalek
Social Media
Anne Staszalek is a California-based publicist and writer who specializes in the online promotion of books, authors and plays. Previously, she created and maintained outreach for AOL's Literary community.
